Here’s How to Watch This Year’s Met Gala

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Every first Monday in May, New York’s Metropolitan Museum of Art becomes the epicenter of the fashion world, and the 2026Met Galapromises to be a particularly exciting edition.

This year’s event, set for May 4, is centered around the theme “Costume Art,” exploring the relationship between fashion and the body. Its accompanying dress code, “Fashion Is Art,” serves as a broad yet thought-provoking jumping-off point for designers and their celebrity guests to dream up red-carpet creations.

Ahead of the event, celebrities arechecking into New York City, parading the streets in one inspiring look after the next, showing us that we’re in for quite the glamorous treat.

From the hosts to the dress code, read on for everything you need to know about this year’s festivities.

How can I watch the 2026 Met Gala red carpet? What time does it start?

There are several ways to tune in to fashion’s biggest night, and thankfully, you don’t need cable to access the red carpet.

Voguewill stream the Met Gala across all of its social channels, so whether you favor YouTube or Instagram, you’ll be covered. Elsewhere,E!will be streaming directly to DirecTV, Hulu + Live TV, and Peacock with their “Live From E!: Met Gala 2026” segment, where hosts Ciara Miller, Bronwyn Newport, Renee Montgomery, Christian Siriano, and Chris Appleton will take viewers through celebrity arrivals.

Streaming will kick off at 6:00 p.m. EST/3:00 p.m. PST and run approximately three hours.

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What is the Met Gala 2026 theme?

The theme for this year coincides with the Metropolitan Museum of Art Costume Institute’s spring exhibit, “Costume Art.”

Examining the relationship and “indivisible connection” between fashion and the body, the exhibit pulls from the museum’s rich and expansive collection of garments and art alike—pairing contemporary and vintage fashion with paintings and sculptures dating back to the 1st century CE. Split into subsections such as “Pregnant Body,” “Aging Body,” and “Naked Body,” it sets out to spark a conversation on the “complex interplay between artistic representations of the body and fashion as an embodied artform.”

Speaking on the theme, lead curator Andrew Bolton explains, “I wanted to focus on the centrality of the dressed body within the Museum, connecting artistic representations of the body with fashion as an embodied art form. Rather than prioritizing fashion’s visuality, which often comes at the expense of the corporeal,‘Costume Art’ privileges its materiality and the indivisible connection between our bodies and the clothes we wear.”

Who is hosting the Met Gala 2026?

Guiding the evening areco-chairsBeyoncé,Nicole Kidman, andVenus Williams.

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Jeff Bezos and Lauren Sánchez Bezos are sponsoring the gala this year alongside Saint Laurent, while Anthony Vaccarello and Zoë Kravitz are serving as co-chairs of the Met Gala Host Committee. Other committee members include Sabrina Carpenter, Doja Cat, Gwendoline Christie, Alex Consani, Misty Copeland, Elizabeth Debicki, Lena Dunham, Paloma Elsesser, LISA, Chloe Malle, Sam Smith, Teyana Taylor, Lauren Wasser, Anna Weyant, A’ja Wilson, and Yseult, alongside newly-announced members Adut Akech, Angela Bassett, Sinéad Burke, Rebecca Hall, Aimee Mullins, Tschabalala Self, Amy Sherald, and Chase Sui Wonders.

What is the dress code?

The Met Gala 2026 dress code is “Fashion Is Art,” and attendees are invited to interpret the theme through their personal lens—expressing their own relationship to fashion as an “embodied art form.” Some guests may arrive in looks that reference how the dressed body has been explored throughout art history, while others may lean intocontemporary runway collectionsthat fit the bill.

Who is attending the Met Gala?

Each year, viewers wait eagerly to see which celebrities will ascend the steps of the Met. While there is no public guest list, the event typically hosts about 450 attendees. This includes a mix of rising stars, creatives, and A-listers, as well as high-profile individuals in sports and politics.

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Of course, the Met Gala has its share of longtime attendees, includingSarah Jessica Parker,Zendaya, andRihanna.

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Joe Roganhas thrown his weight behind Jimmy Kimmel, pushing back against the wave of backlash sparked by the talk show host’s controversial Melania Trump punchline.

During a White House Correspondents’ Association Dinner skit, Kimmel had joked that First Lady Melania Trump carried the glow of an expectant widow. The segment aired days before the shooting on Saturday. Rogan highlighted that the line drew no reaction at first.

“It came out on Thursday. No one cared Friday. No one cared on Saturday until Saturday night when the assassination attempt, and then all the sudden, everyone’s blaming Kimmel,” he highlighted on Friday on The Joe Rogan Experience.

Rogan further argued that Kimmel’s joke wasn’t one-dimensional, noting it was open to interpretation. “Could be [an old guy joke] or an assassination joke if you want to take it that way. But he is old,” he said.

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Meanwhile, Melania Trump also took toX (formerly Twitter) on Monday morning to condemn the remark, calling it inappropriate and damaging. “His monologue about my family isn’t comedy — his words are corrosive and deepens the political sickness within America,” she stated.

President Donald Trump joined the fray on Truth Social, urging Kimmel’s termination and condemning the joke as a “despicable” affront to his wife.

However, Kimmel has not issued an apology for the joke and addressed the backlash head-on during Monday’s episode ofJimmy Kimmel Live!

“You know how sometimes you wake up in the morning and the first lady puts out a statement demanding you be fired from your job? We’ve all been there, right?” the popular host said.

Originally reported by Sibanee Gogoi forMandatory.

The postJoe Rogan Slams Outrage Over Jimmy Kimmel’s Melania Trump Jokeappeared first onReality Tea.

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Living in New York City, I have a front-row seat to the mostnotable style trends. In place of jeans, all the 'It' girls are reaching for billowy maxi skirts, and I found anaffordable versionfrom Nordstrom that just hit the site.

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The new ethereal skirt hails fromCotton On, offering a tiered silhouette that drapes to the floor. It gives off a romantic and wanderlust vibe, effortlessly dressed up or down by swapping footwear and accessories. The linen fabric is also perfect for spring, staying breathable and lightweight.

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It’s no surprise that the New York City fashion crowd is replacing their jeans with this unfussy piece. It’s downright comfortable, including an elastic drawstring and stretchy waistband. Not to mention, the flowing silhouette delivers total ease and unrestricted movement. But above all, it’s chic and flattering, adding an elegant touch to your warm-weather outfits.

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Nordstrom shoppers agree, leaving a slew of five-star ratings. One buyer secured the skirt in two different shades, saying the “material is so light to wear and drops beautifully.” Another reviewer raved that every time they’ve styled it, they "receive a compliment.” “[It’s] so easy to wear, comfy and flattering,” they continued.

The newCotton On Tiered Maxi Skirtis fully in stock and available in sizes 0–12. Inventory is sure to dwindle as spring continues. Snag your favorite version before it’s too late!

Get theCotton On Haven Multi-Tiered Maxi Skirtfor$60at Nordstrom!Please note, prices are accurate as of the publishing date but are subject to change.

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Ricky Skaggs Says 'I Felt Like I Needed to Come Back' to Bluegrass, the 'Music of My Youth,' After Country Albums (Exclusive)

Ricky Skaggs reflected on his genre-crossing career and pivotal shift from bluegrass to country in the 1980s

People Ricky Skaggs at the Musicians Hall of Fame & Museum Concert and Induction Ceremony in Nashville on April 28, 2026Credit: Terry Wyatt/Getty

NEED TO KNOW

  • He returned to bluegrass in the mid-1990s after Bill Monroe’s death, reigniting interest in the traditional genre

  • Skaggs praised young artists like Wyatt Ellis and Billy Strings for bringing bluegrass back into the spotlight

Ricky Skaggsknows a thing or two about musical versatility.

For decades, Skaggs' career has been marked by his prolific, seamless shifts between genres. As a result, his critically lauded works have shaped both bluegrass and country music along the way. However, when the Grammy-winning artist, 71, looks back on the totality of his career, he's quick to admit that it’s difficult to pinpoint a single defining moment.

“I can't really put my thumb on exactly a certain time,” Skaggs told PEOPLE exclusively at the Musicians Hall of Fame 2026 induction event in Nashville.

Nonetheless, two pivotal shifts that Skaggs consciously acknowledges came when he stepped away from full-time bluegrass early in his career, and then ultimately returned to it in full force years later.

After he departed as a member of the iconicEmmylou Harris’ band while she took time off to start a family in the late 1970s, Skaggs saw an opportunity for himself as a solo artist. “I thought, 'Man, what a better time for me to go ahead and try to do a record,' ” he recalled of that moment.

Ricky Skaggs at the Musicians Hall of Fame & Museum Concert and Induction Ceremony in Nashville on April 28, 2026Credit: Terry Wyatt/Getty

The culmination of that idea was a country project rooted in tradition, inspired by the sounds of the ’60s and ’70s and layered with the bluegrass influences he took in during his youth. In turn, Skaggs effectively drew a bridge between two iconic staple genres of American roots music.

What came next in his career was for the history books. After crossing over, Skaggs achieved roughly a dozen No. 1 country singles during his mainstream country career. The son of Cordell, Ky., was launched into the country music stratosphere with his major-label debut,Waitin' for the Sun to Shine(1981), which then led to Skaggs dominating the genre's charts throughout the rest of the 1980s.

But by the mid-1990s, the genre was evolving in ways that didn’t quite fit Skaggs' artistic vision.

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"Country was really changing, you know," he explained to PEOPLE. "Going in, you know, 12 buses per artist ... the big stadium country ... and I just didn’t really want to try to keep up with that.”

Ricky Skaggs performing in California in 1986Credit: Paul Natkin/WireImage

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It was, ultimately, a major loss in the bluegrass world that ended up pulling Skaggs back into the Appalachian-soaked genre. Following the 1996 death of Bill Monroe, who is widely considered the father of bluegrass, the picker felt a profound calling to return to his roots and, in a way, pick up the torch from Monroe.

“I felt like I needed to come back — come back to my roots,” Skaggs said of bluegrass, which he described as "the music of my youth."

“When I came back, it really shot a shockwave into acoustic musicians," he recalled. As the story goes, fans and fellow musicians quickly noticed his fervent commitment to “real bluegrass again with a real bluegrass band,” reinforcing his pedigree and influencing a new generation. Skaggs knows that a conscious look-back was "one of the turning points" for his "legacy."

More than half a century after emerging onto the scene and recontextualizing the notion of a crossover artist, Skaggs sees the influences that informed him reflected in a rising crop of young artists who are helping bring bluegrass back into the spotlight.

Among those exciting him most is 16-year-old prodigyWyatt Ellis, whom he praises as “a great mandolin player,” as well asSierra Hull, who recently earned four 2026 Grammy nominations. “I wish I could play mandolin like her,” Skaggs added with a laugh. He also pointed toBilly Stringsas another standout artist making bluegrass part of the wider popular music conversation again.

“It’s just really great to see so many young artists,” Skaggs said, noting how they are embracing the same songs and traditions that shaped him and "really trying to perpetuate them as well.”

Read the original article onPeople

Ricky Skaggs Says 'I Felt Like I Needed to Come Back' to Bluegrass, the 'Music of My Youth,' After Country Albums (Exclusive)

Ricky Skaggs reflected on his genre-crossing career and pivotal shift from bluegrass to country in the 1980s NEED TO KNOW ...

 

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